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Before I discuss this movie, which is a schlocky romance masquerading as an arthouse film, be forewarned that I'm not concerned at all about spoilers. If you like this movie, I think there is something very wrong with you, and I don't care about ruining your experience. That said, it's the story of a Jewish girl named Rachel who is hiding underground in Holland during World War II. In an attempt to escape German occupation, she and her family try to flee south in a boat. The escaping Jews are double-crossed, and she ends up joining the Resistance and doing the Mata Hari thing in seducing the head of the gestapo to find out who betrayed her family. Only things aren't so simple...
Whenever you see a bad movie that you thought you were going to like, there are five stages of processing the catastrophe:
Denial (OK, there are too many coincidences, but Dickens does that too, and he's great. Just go with it...)
Anger (Dickens never has a heroine flash her breasts at the German head of the Gestapo and ask three times, "Are these Jewish?"...)
Bargaining (If this movie ends in the next ten minutes, Dear Lord, I promise I'll be kinder to Minette's dog...)
Depression (I'm so sad. So very deeply sad...)
Acceptance (I'm in a dark place now, but you bet your bottom dollar that the sun will come out tomorrow...)
Terrible, awful movie. I can't get it out of my head. Its qualities are, without exception, unredeeming. Don't see it.